Category Archives: Just talk about the paintings

Making my own Sunshine

“My paintings evolve organically from life’s everyday glances.  Rather than trying to force my will on them, I give them total control.  Each layer determines and guides the next.”
-Dion Archibald

Strength of the Sun 48" x 48" work on canvas

Strength of the Sun 48″ x 48″ work on canvas   ©2015 Deborah T. Colter

Signs of spring are finally peeking through here. Spring greens and sunshine yellows have been making their way into my work. In the depths of winter working with yellows and greens always lift my spirits. I’m making my own sunshine!

 

Golden Sun I, II, & III  works on paper  21" x 21" each  ©2015 Deborah T. Colter

Golden Sun I, II, & III works on paper 21″ x 21″ each ©2015 Deborah T. Colter

There have been some terrific changes on my website lately. I have been working with my web designer Heather at Goffgrafix – she is wonderful! Check out the new zoom capability for images. There is now a search element if you are looking for something specific. Work on paper has been added along with grouping or companion pieces if your home, office or client is looking for multiple pieces. I am quite pleased with the results and invite you to take a look and share your thoughts.
I hope I have added a bit of sunshine to your day!
I am most grateful for your continued support of my work.

 


Corporate and residential commissions welcomed.
Contact me for price quotes, availability & shipping policy.

“Only he can be an artist who has a religion all his own – an original way of viewing infinity.”
-Vincent van Gogh

A Way of Communicating

“Painting is a way of communicating vision and experience so that it reaches beyond a single moment in time. What fills our hearts and spills over must be shared.”
– Stormy Bailey

Blue Harbor  40" x 40" work on canvas  ©2014 Deborah T. Colter

Blue Harbor 40″ x 40″ work on canvas ©2014 Deborah T. Colter

What fills our hearts and spills over must be shared.”

Please allow me to share a new painting recently finished from the studio. Blue Harbor consists of multiple layers of acrylic paint, paper and collage elements. It is built on a canvas substrate which is stretched around a birch wood frame.

To my eye, a painting needs to have rhythm, balance, harmony, life, a spark of magic. Making paintings requires a great deal of fearless trust in the process of creating.

To create something, really out of nothing, and see it transform into a piece that is alive with energy, exciting and intriguing is my main objective. Color, pattern, textures and other various elements need to meld into a compelling language all their own. I invite you to fall in love with the unknown.

“My paintings evolve organically from life’s everyday glances. Rather than trying to force my will on them, I give them total control. Each layer determines and guides the next.”
-Dion Archibald

Blue Harbor is available from the Artist.

Selected Quotes from Robert Genn’s Art Quotes: The Painter’s Keys Resource of Art Quotations

Copyright © 2014 Deborah T. Colter. All rights reserved.

The Color of Love

“Through some memory, feeling, experience, the passion wells up and spills into my palette; it mixes with my paint. And the paint tells me what to do. I listen. I act on it.”
Ann Dettmer

Seduction 1399  40" x 30" work on canvas

Seduction 1399   40″ x 30″   work on canvas

“February is the month associated with the color purple and the birthstone for those born is February is Amethyst.” Purple is also said to be uplifting, calming to mind and nerves, It offers a sense of spirituality and encourages creativity.* In my experience the color purple has a very strong effect on art viewers. You either love it or hate it  – no middle of the road with purples. Personally I find the color to be exciting and passionate – the color of love. It feels warm and comfortable, seductive in its beauty. How does purple make you feel?

“In our life there is a single color, as on an artist’s palette, which provides the meaning of life and art. It is the color of love.”
Marc Chagall

Seduction 1399 is available from the Artist.
Selected Quotes from Robert Genn’s Art Quotes: The Painter’s Keys Resource of Art Quotations
*(http://arts-humanities.squidoo.com/allaboutpurple)

Copyright © 2014 Deborah T. Colter. All rights reserved.

Working and Reworking

“I destroy things every day in the act of working and often recall a picture I had
considered finished in order to rework it.”
– Frank Auerbach

Scarlet Allure  40" x 40" work on canvas  ©2014 Deborah T. Colter

Scarlet Allure    40″ x 40″    work on canvas     ©2014 Deborah T. Colter

Often I am asked, how do you know when a painting is finished? This is a perplexing question. How do I explain what it feels like to know a piece is done? Is it ever done? It seems artists for centuries have battled with this question. Leonardo da Vinci is quoted with saying; “Art is never finished, only abandoned.”

In building up layers of paint and collage elements I am constantly balancing visual elements within the work. I look for relationships to develop among these elements. Often there is an “aha moment” when I step back and ask myself (and the painting) the very same question – are you finished? Learning to listen to the work takes patience. This is where a little abandonment comes in. Letting a painting have some time allows for a new perspective.

There are occasions when I rework canvases that I have abandoned, only to find new and pleasant surprises in their evolution. Art for me is constant motion.

How do you know when a painting is finished?

Work is available from Artist.

The Impression it Creates…Color!

“A color is as strong as the impression it creates.”
– Ivan Albright

Beyond the Boundary 36″ x 48″ work on canvas ©2013 Deborah T. Colter

I write to you as the snow is piling up once again. It has been a cold and snowy winter but then again, it is winter isn’t it? I am grateful for the solitude and the time I can devote to my painting.

I have been thinking a lot about color. I find I tend to focus on certain groups of color for a time period and then rotate into something different. I love using bold color, color that grabs and holds the viewer long enough to beg a longer look. Karla Araujo writing for the Martha’s Vineyard Times wrote an article last summer about my work. She mentioned just this thought when interviewing me; “Color is extremely important,” she told The Times, pointing to groupings of archived paintings that range in hue from deep rusts and reds to royal blues and teals, citrons, and mossy greens. Color is what first draws the eye to Ms. Colter’s paintings. But it is the complexity of shapes and patterns that holds the viewer’s interest.” (read the whole article here)

In my pieces I build multiple layers of collage elements that create patterns and subtle shadowing. I often feel as though I am creating something out of nothing – transforming paper, paint, collage & mark making into a painting that is alive, provocative and thrilling is my goal. Color for me, provides an invitation to look deeper and longer – it is an invitation to breathe in the pure pleasure of the impression it makes on the soul.

What impression does color make on you?

“Just as there are connoisseurs of wine, there are connoisseurs of blue,”
said the French writer Colette.”
–Quote from the January 28, 2014 newsletter of Robert Genn

Painting is available from Artist.

Motionless Movement

“What I am seeking… is a motionless movement, something equivalent to what is called the eloquence of silence…”
-Joan Miro

The Eloquence of Silence  48" x48" work on canvas

"The Eloquence of Silence" 48" x 48" work on canvas

“The artist is concerned not with a single focal point but with the unfolding of many layers of movement within a fluid language of images.”
-Una Johnson

A motionless movement, the eloquence of silence, the unfolding of many layers of movement within a work, a fluid language of images. How clearly these thoughts describe the surface and textures I constantly strive for. It is always a joy to me to stumble upon an artist’s quote that perfectly fits my present tense. I am reworking of some canvases from an earlier time and finding pleasant surprise in their evolution. Art for me is in constant motion and this just feels like the right thing to be bringing new life to these canvases I had once looked at as complete. This process brings fresh spring growth if you will, new life, an unfolding of many layers that push me towards a motionless movement.

Coming up soon Anelle Gandelman Fine Art of Larchmont, New York will be representing my work at the Spring Affordable Art Fair in New York City. The Affordable Art Fair takes place the weekend of May 5 -8, 2011.

I am excited to now be represented by Joyce Robins Gallery. Joyce Robins has been showcasing quality paintings and sculptures for discerning collectors since 1996. Joyce represents a carefully selected a group of living artists whose styles range from representational to abstract, working in a variety of media.

Work is available.

@2011 Deborah T. Colter

Circular Time

“I have never thought of time as being linear. I believe in circular time,
one season following another.”
Josy Hilkes Britton

Time does seem to move in a circle and the rotation gets faster and faster! Hard to believe we are moving into a new season already but I can feel the change in the air. It has been a busy, fantastic summer and I do hate to see it go, but it is time to refocus. The circle of time is moving…

Timeless Edge 40" x 40" work on canvas

Timeless Edge 40" x 40" work on canvas

Labor Day has come and gone and I will soon be getting on the road. The first weekend in September brings my fall festival schedule into full swing with five exciting events lined up. The September air brings a renewed energy. I am renewed as well with a sense of excitement for the future. I am delighted to have been chosen to participate in these upcoming shows and to have the chance to exhibit my work and meet and greet interested collectors. Studio time will be limited for a few weeks as I participate in these events. However, the break from the studio routine always brings me back in with new direction…full circle.

I was thrilled to have recently been Friday’s Featured Abstract Artist on Lynne Taetzsch’s Abstract Art blog. Lynne features abstract art, abstract artists, and the daily practice of painting and drawing on her blog each week. Thank you Lynne!

“One of the essential characteristics we must have to be happy and productive artists is the skill to navigate our way through random time; so that even without a clock for a compass, and without a clear destination,
we still know what direction to go.”
Eleanor Blair

I do hope to see you at one of the following events…

8th Annual Alexandria Festival of the Arts
480 King St, Alexandria, VA
September 11, 2010, 10:00 am-7:00 pm
September 12, 2010, 10:00 am-5:00 pm
website


Annual Rittenhouse Square Fine Art Show

18th & Walnut Streets, Philadelphia, PA
September 17, 2010, 11:00 am-7:00 pm
September 18, 2010, 11:00 am-6:00 pm
September 19, 2010, 11:00 am-5:00 pm
website

49th Annual Armonk Outdoor Art Show
North Castle Community Park, Armonk, NY
September 25, 2010 10:00 am-5:00 pm
September 26, 2010, 10:00 am-5:00 pm
website

The Gracie Square Art Show
at Carl Schurz Park
East End Avenue between 84th & 88th Streets
New York, NY
Saturday, October 2, 2010 – 10:00 am-5:00 pm
Sunday, October 3, 2010 – 10:00 am-5:00 pm
website

29th Annual Outdoor Arts Festival of the Bruce Museum
The Bruce Museum, One Museum Drive, Greenwich ,CT
October 9, 2010, 10:00 am-5:00 pm
October 10, 2010, 10:00 am-5:00 pm
website

Painting is available. ©2010 Deborah T. Colter

Art is the River

“Art is the river that runs through my life. I drink from it as often
as I can to refresh myself.”
– Loretta Marvel

Gallery KH, Chicago 2010

Gallery KH, Chicago 2010

Settling down after the whirlwind of two openings in the past two weeks. I am trying to regroup and replenish and I find that the summer heat is just making things a move a little slower right now. I always find that Art is the river that runs through my life – a constant that grows wider and deeper. Sometimes it rages and sometimes it just sort of slowly drifts along.

The opening at Gallery KH in Chicago coincided with a freak rainstorm that dumped 7 plus inches on the city – creating real rivers in unexpected places! Fortunately most of the rain fell well after the opening.

I was thrilled to see my work hung alongside the work of Charlotte Foust, it is an exciting mix of abstract paintings. p7230019I love the surprise of walking into the gallery and seeing the show for the first time!

In 3 weeks I will travel again to participate in the Saratoga Arts Celebration at the National Museum of Dance. I am looking forward to visiting this area. My fall festival schedule begins in September and there is much to prepare for, but for the moment, a little rest is on my list…

Saratoga Arts Celebration
August 21, 2010 10:00 am – 5:00 pm
August 22, 2010 10:00 am – 5:00 pm
at the National Museum of Dance
99 Broadway, Saratoga Springs, NY

“How fortunate we are to make our life’s work centred on experiencing life with depth and creating a soulful response to it.”
-Linda Saccoccio

What’s your way of working?

“One works without thinking how to work.”
-Jasper Johns

New Piece  48" x 48" work on canvas

"Dynamic Voyage" 48" x 48" work on canvas

This morning I had an interesting conversation with my Twitter friend Alison Jardine. While some may think Twitter is a waist of time, I have found it to be a well of inspiration for thought, conversation and information, all with a dash of fun. Anyway, in our limited 140 character tweets Alison asked me, “what’s the prime interaction that will take place in your painting…do you not have an idea of color set or anything, is it purely ‘impulse’ as you get started?” She shared that when she starts a painting, “I have an idea of the ‘reason’ for it, in terms of what I am exploring, it keeps me on track…” While I admire her technique, it is not the approach that I take at all – I show up and conduct the players so to speak. Now, don’t get me wrong, l always have ideas, so many in fact, that I need to control them or they go mad. While yes, I may start off with a specific color set, I almost never end up where I started. My colors change often as my interaction with the painting evolves. It is building and layering process – a give and take of balance and order, chaos and control. On a daily basis I show up and work without thinking how to work, I believe in my instincts, which comes from many, many days of just showing up to work. There are infinite ways that artists approach their work, and there is no right or wrong. What is your way of working…?

“Love what you do. Believe in your instincts. And you’d better be able to pick yourself up and brush yourself off every day. While life is not always fair, it is manageable. It is a matter of attitude and confidence.”
-Mario Andretti

Painting is available.

Off to be an exhibitionist…

“Art exhibitions come alive in the form of street fairs, formal juried shows, or as organized “open studios”… This bounty of skilled artists, notable art competitions, progressive community art festivals and sophisticated buyers is a genuine inspiration…”
– Karen Honaker

"Intimate Immensity" 40" x 40" work on canvas

"Intimate Immensity" 40" x 40" work on canvas

Tomorrow I will be heading to Bethesda, Maryland to begin my spring show season at the Bethesda Fine Arts Festival. This will be a brief post as there is still much to do. I only participate in a few of these juried art festivals every spring and fall and always find them to be a welcome challenge. Sometimes it feels a bit like a circus act, choosing the work, packing the car with walls, tent, lights, step stool, weights and all the others various needs for the weekend. It somehow always seems to come together – usually with the help of my super supportive husband it everything magically makes it into the car and off we go.

Fully loaded and ready to go

Fully loaded and ready to go

There are many factors that go into making the show a success, sales of course go without saying,  a sophisticated buyer is a genuine inspiration!  I also find the interaction with the public is always a huge benefit for me. As artists we are very much alone in the studio, and when galleries or consultants take your work they don’t always share the feedback they get. This is an opportunity to get out there and really connect with folks one on one, to be an “exhibitionist” if you will. I hope to see you there…

“Every artist ought to be an exhibitionist.”
-Egbert Oudendag

Bethesda Fine Arts Festival
Saturday, May 8, from 10am – 6pm
Sunday, May 9, from 10am – 5pm
Bethesda’s Woodmont Triangle, Norfolk & Auburn Avenues

Painting is available and will be on view in booth #53 in Bethesda.